Aglaia na rusdi Christian with the recast of an image within the image of a repeat kathreptiki ther

The Facilities identify or want to identify integrated lifestyles. The Cannery Prespa is a complex set with discrete attributes the short-lived original use as a cannery roach, beans and peppers and goat illegal lodging and immigrants. In everyday practice areas just socialize and correlated with social and economic conditions and opportunities means that correlate with interests directly or indirectly, then enter the deflection and falsification.
The site architecture is an entity that takes place in space and time especially the history and swoops as experienced by the multiplicities of desire and relationships with other H Wholeness as this interaction, gestalt is looking for a collaborative artists that readings show internal na rusdi differentiation and multiplicity. The wholeness and integration of the whole exhibition is an open system so it works the participants remain open. So the process of composition, na rusdi the interaction is open, the space is open and zombie, restructured art museum and hence the concept of storage and accumulation open. The task processing na rusdi cannery is the continuum of approaches Builders and achtistou space as a grid or set that wants to identify "places that make life a whole" their manifold, ambiguous, and therefore political-contradictory constitution. The synthetic interaction, the inconsistency will be presented na rusdi as an open museum of creativity, a Achtisto museum needs nowadays.
The game system as diazefchtiko the grid or set so far wants to deinterlacing artwork from ergaki simply na rusdi given but consider the human conditions and relationships, relationship time creates space and makes visible the media as most media and examines the outside as endless repetition. Revived in an open sufficiency result between relations and conditions.
Completed the second phase of operations artists on site cannery and develop a third cycle until an express competence. The call is open to all creative people.
The cannery is left as a feat the notorious MOMAS, a unit of army engineers which reshape the entire Greece during na rusdi the dictatorship, a construction that endures na rusdi to this day. Now the building there is a confusion that makes it difficult to use and raises the bar of the difficulties they encounter artists. Everyone will approach the issue from different long journeys thinking, habits, cultural insights and political mediations. As thicken the mediations of artists make those features of space and geometry assimilated, always provided of the relationship and the abundance that the project should be stripped from the confusions of everyday practice. The project is an open museum na rusdi with open doors open thinking, open at times. Not only is the architecture's huge and the inscription on the side of the mountain that is the system or the network of the human condition and relationships but also the attempt to condense slipping historical geography abandonment and poverty. na rusdi
Aglaia na rusdi Christian with the recast of an image within the image of a repeat kathreptiki there once warmed passers expatriates with clear traces of fire in plaster and ashes all over the floor, where both foreign, unfamiliar, wandering na rusdi formulate na rusdi impressions building that looks like a church building in Europe impression derived from the use of two triangular gables on the north side of canneries na rusdi operated as correlation of space with time highlighting the needs, usage and preferences in the operation of buildings. The Christian points to the relationship of the visitor to the site trying to clarify and distinguish eklektistiko humor content and importance of which use new sailors out of work as a museum.
The cannery by allowing for years atimelisia skatomaton made of goat is a space colon, a space koleos. The private and public space with use determines the entire range of individual, group and collective behavior by Christos Kalfas be praised abandonment and stench vothrodi in a case where two shapely ass spicy (pepper by tags) women stretch the posterior in Parisian cabarets. Or that the history of fly pepper raises the immigrant with d